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Despite this friction however
Makin depicts the tranquility of the Murray River at dusk
Ann THOMSON (1933 - )
Chapter 8’
David Aspden 'Dark Mirror' neo-expressionism Despite this friction howeverThe British born David Aspden came to prominence with hard edge abstraction and shaped canvasses, a selection of which featured in the landmark exhibition, 'The Field' at the National Gallery of Victoria in 1968. Moving later towards a more lyrical abstraction, his works became akin to meditative compositions inspired by environment and surrounding landscape. Aspden's importance to the evolution of Australian abstract movement had been recognised by
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